A great source for motifs is in the jazz tune melody itself. You can adapt or copy the closing motif of the tune melody and use it as the first motif in your solo. You can also use any interesting motif in the tune melody anywhere in your solo. The motifs you borrow can be varied and developed.

Such as this US Navy group, sing 4-part pieces, made up of a melody line (normally the lead) and 3 harmony parts. In, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing. Usually, this means simultaneously occurring, (, ),. The study of harmony involves chords and their construction and and the principles of connection that govern them. Harmony is often said to refer to the 'vertical' aspect of music, as distinguished from, or the 'horizontal' aspect., which refers to the relationship between melodic lines, and, which refers to the simultaneous sounding of separate independent voices, are thus sometimes distinguished from harmony.

In and, chords are named by their plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with 'tensions'. A tension is an additional chord member that creates a relatively in relation to the bass. Typically, in the classical a dissonant chord (chord with tension) 'resolves' to a consonant chord. Usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between 'tense' and 'relaxed' moments.

Main articles: and In the Western tradition, in music after the seventeenth century, harmony is manipulated using, which are combinations of. In harmony, so named after the interval of a third, the members of chords are found and named by stacking intervals of the third, starting with the 'root', then the 'third' above the root, and the 'fifth' above the root (which is a third above the third), etc. (Note that chord members are named after their interval above the root.), the simplest chords, contain only two members (see ).

A chord with three members is called a because it has three members, not because it is necessarily built in thirds (see for chords built with other intervals). Depending on the size of the intervals being stacked, different qualities of chords are formed. In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. To keep the nomenclature as simple as possible, some defaults are accepted (not tabulated here). For example, the chord members C, E, and G, form a C Major triad, called by default simply a C chord. In an A ♭ chord (pronounced A-flat), the members are A ♭, C, and E ♭.

In many types of music, notably baroque, romantic, modern and jazz, chords are often augmented with 'tensions'. Codejock xtreme suite pro activex v16 cracked servers 1. A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Following the tertian practice of building chords by stacking thirds, the simplest first tension is added to a triad by stacking on top of the existing root, third, and fifth, another third above the fifth, giving a new, potentially dissonant member the interval of a seventh away from the root and therefore called the 'seventh' of the chord, and producing a four-note chord, called a '.