The critically acclaimed, Arizona-based Phoenix Chorale (formerly Phoenix Bach Choir) originally focused on music of the Renaissance and baroque periods, but today is equally dedicated to the creation and performance of new music. On this album the Choir performs choral works, and settings of sacred texts by the Norwegian composer Ola Gjeilo. When he first heard Gjeilo’s Ubi caritas, Charles Bruffy was instantly hooked, finding the music ‘refreshing and magnetic’. Bruffy brought Gjeilo’s music to the Chorale and its audiences, and the response was immediate. Soon after, Gjeilo was invited to be the Chorale’s first Composer-in-Residence.

Phoenix, a setting of the Agnus Dei, is dedicated to Charles Bruffy and the Phoenix Chorale in honour of its fiftieth anniversary. When Gjeilo first visited the choir in Arizona, he had never been to the desert before, and the ‘quiet beauty and barrenness of the landscape’ moved him deeply. He describes Phoenix as ‘symphonic in nature one of those pieces where the text is very much the servant of the music, not the other way around’. In contrast, Northern Lights takes its inspiration from Gjeilo’s homeland, Norway, and the ‘terrible beauty’ of the natural phenomenon that may be observed there.

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Mar 5, 2017 - Ubi caritas. The Word Was God. Rosephanye Powell. Albion College Concert Choir and Briton Singers.

The music reflects the powerful and electric quality of the northern lights, which must have seemed both mesmerising and terrifying to people in the past when no one knew what they were, and superstition prevailed. The Phoenix Chorale made its first appearance on Chandos in 2004 with Shakespeare in Song. Since then it has released several joint recordings with its sister choir, the Kansas Chorale, featuring among others Alexander Grechaninov’s Passion Week, the disc nominated for a Grammy in no fewer than four categories, including Best Classical Album and Best Choral Performance, winning in the Best Engineered and Classical album categories. There are several stunning a cappella numbers; others come with instrumental accompaniments, both solo (cello, saxophone) and ensemble (string quartet). There’s one prominent soprano solo. The composer accompanies several pieces beautifully at the piano. Gjeilo obviously knows how to balance abd blend vocal and instrumental sound I’ve never seen anything less than rave reviews of Bruffy and his Pheonix Chorale Their absolutely flawless technique and gorgeous, burnished sound make them, without a doubt, one of America’s handful of top professional choirs.

And you won’t believe how utterly amazing a great choir can sound until you hear this one as captured in Chandos’s Super-Audio hybrid sound. Soloists and instrumentalist leave nothing to be desiredIf you like to stay abreast of significant new developments in the modern choral world, you simply can’t pass Gjeilo’s work up.' Performance ***** Sonics ***** “The Phoenix Chorale are on top form here, clearly fully at home with their new composer’s music and delighting in every magnetic moment. Charles Bruffy’s vastly-experienced direction is as usual sensitive and technically assured. I am trying not to be too effusive here, because this music (and its singing) had a considerable emotional effect for me.

Gjeilo’s poise, depth of humanity and root simplicity comes across in every bar, making this a very memorable experience. Given an impeccable recording, both in stereo and multichannel modes, well-written and fulsome notes a truly heartfelt performance, there is only one word to describe this album. First, a disclaimer: I am one of the singers of the Phoenix Chorale, so obviously, I can't be very objective. That being said, this is one of the most gorgeous, transcendent, and spiritual choral recordings I've ever heard. From my vantage point, I think this is largely due to the synthesis of Ola Gjeilo's unique compositional 'voice,' the musicians' (both singers and instruments) enthusiasm for and comfort with the musical material, and the interpretive creativity of conductor Charles Bruffy. This combination resulted in an extremely high-quality collaborative outcome, on many different levels. I could describe other qualities of this recording, but again, I'm biased, so instead I'll leave it up to the lovers of beautiful choral music to listen and decide for themselves!